DejaEdit is the way forward for efficient production workflows
22 May 2020, Gothenburg, Sweden – Anna Knochenhauer is a well-respected Stockholm-based film producer / post-producer with an exhaustive catalogue of impressive titles to her name which include the likes of “Euphoria” featuring Alicia Vikander; “Welcome to Sweden” season 2 starring Jason Priestly and others.
Carving a successful career of VFX-heavy feature films and drama series, she declares that DejaEdit is a revolutionary film tool that should be included in every production as industry standard. She uses DejaEdit in all her productions now, including recent films she produced – “Alone in Space” (2018), “White Wall” (2020) and “We Got This” (2020).
Highly acclaimed, Anna’s successful career in the Swedish film industry began back in 1997 before she started working for herself through her company Knochenpower since 2006. Anna lead the post-producer course at the National Film School of Stockholm’s Academy of Dramatic Arts before post producing more seriously from 2012, with feature films such as “Shed no tears” (aka “Känn ingen sorg”, by Mårlind & Stein) and “The 100-Year-Old Man Who Climbed Out the Window and Disappeared”. She went on to produce “Young Sophie Bell” (by Amanda Adolfsson) together with Gila Bergqvist Ulfung and “Alone in Space” (by Ted Kjellsson and Henrik Ståhl) together with Sonja Hermele.
Passionate about her work, Anna notes, “I love being able to work on more than one project at the same time, which is always the case as a post-producer in Sweden. I enjoy the variety between projects, and working with numerous production companies, producers and directors as well as post-production facilities all over the Nordics and Europe. Post-producing mostly drama series is my main line of work, and I also get to produce a feature film every now and again too which is fun.”
